Vudu - Watch Movies. © 2020 Fandango. Watch Blue Is the Warmest Color movie. Blue Is the Warmest Color stream online. Blue Is the Warmest Color movie online. Blue Is the Warmest Color dvdrip movie. Adele’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult.
First loves are always the same and always different. The audacity of director Abdellatif Kechiche's 'Blue Is The Warmest Color' lies not so much in the fact that it tells the story of a same-sex first love than in that it tells this story in what some would consider epic detail. The cockeyed open-heartedness of Kechiche's conception yields a girl-meets-girl-and-so-on story of three hours. They aren't hours that fly by, either, nor are they meant to; Kechiche, who as it happens is here adapting a graphic novel by Julie Maroh, intends for his viewers to luxuriate and/or empathize in and on particular details. While there have been plenty of movie romances not unlike this, there's never been one told in such an ambitiously immersive way.
Watch Blue is The Warmest Color Online First Kechiche throws the viewer into the world of Adèle (Adèle Exarchopolous), a wide-eyed high-school beauty who should, by the standards of her classmates, be wowing the boys, but instead almost breaks the heart of the one fellow she experimentally dates. Feeling no spark with him, or any other guys, she fixates on a blue-haired older girl she sees on the streets of her provincial French town. And once Adèle really finds Emma (Léa Seydoux), in a lesbian bar, it's not long before the student and the soon-to-be artiste begin having intense, soul-searching conversations on a soon-to-be-iconic (for Adele) park bench.
Soon after that they're discovering each other's keys to sensual ecstasy, in the movie's already much-talked-about sex scenes. Kechiche has a sense of rapture that extends to all the human senses; Adèle and Emma, in the first throes of romance, eat as much, and as ravenously, as they make love, and there's particular attention given to Emma teaching Adèle how to appreciate oysters. (There are echoes here, oddly enough, of Claude Chabrol's little-seen 1990 adaptation of Henry Miller's 'Quiet Days In Clichy,' starring Andrew McCarthy.)
The movie's transportive quality lies almost entirely with its lead actresses. They are committed to their roles to a degree that could be called exuberant. Neither gives off the slightest hint of working to achieve or inhabit an emotional effect. As the two lovers go, inevitably, out of the state of white-hot attraction and voraciousness and into a domesticity that presents the typical, and typically ugly, problems that an acolyte/ingénue arrangement presents, Adèle seems to grow up before the viewer's eyes in a way that makes Emma's self-possessed confidence look kind of complacent.
As it happens, that's not the thing that starts to drive the lovers apart. I am loath to give away the plot details that some say constitute spoilers, but on the other hand, as I said up front, this is a story of first love, and all stories of first love wind up somehow as stories of first love betrayed. And once the hurting starts, the performances grow more wondrous and sad. So much so that one isn't much bothered by the material that Kechiche elides in his long film.
Oddly, after going to great pains to establish the homophobia of Adèle's high-school could-become-mean-girl chums, Kechiche doesn't depict the way it might have deposited any fallout in Adèle's life as she moves from school to apprenticeship teaching; nor, after showing a 'we're just study friends' dinner at which Adèle introduces Emma to her parents, do we see any of Adele's family life after she moves in with Emma. In the aftermath of viewing, this strikes one as odd.
Then there's the ostensible 'male gaze' issue. Yes, Kechiche is a male depicting lesbian love; and yes, he's a heterosexual male depicting lesbian love enacted between two very attractive actresses. He frequently frames Exarchopoulos in particular so as to accentuate the post-adolescent ripeness of her beauty. (There's a scene in the movie where Emma and Adèle admire the perfect female posteriors in marble at a museum that suggests Kechiche's potential apologia: that everyone should be able to appreciate a beautiful derriere.)
As a heterosexual male myself I am of, well, several minds about this. Having a healthy 'love' for the female form, one may sensibly argue, is not the same thing as leering at it. And it isn't as if Kechiche is Max Hardcore, for heaven's sake. But suggestions that he got a little carried away here are not totally nuts.
Director: Abdellatif Kechiche
Writers: Abdellatif Kechiche (scenario, adaptation and dialogue), Ghalia Lacroix (scenario, adaptation and dialogue)
Stars: Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche
Genre: Drama, Romance
Released: 9 October 2013
Summary: On the verge of adulthood, Adèle, a wide-eyed and reserved 15-year-old schoolgirl, can only imagine the delicate touch, the odd, yet lingeringly fervid feeling of desire and the vehement outburst of emotions of her first teenage love. Indifferent to the fumbled sexual experience with a handsome classmate, instead, Adèle is infatuated with the alluring and intriguingly mysterious blue-haired older girl she encounters in the street. Inevitably, the bohemian stranger, Emma, will creep up in Adèle’s dreams, haunting her late-night deep and untamed fantasies, however, it’s not long before a youthful friendship will yield to an arduous, yet ardent romance between the innocent and audacious lovers. But growing up can be hard, and just like life, love can hurt.
Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle’s friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.
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